There were nine different formats used to film Age of ExtinctionĪmong them, Imax film, Imax digital, single-frame anamorphic film, GoPros, crash cams, Red cameras on 3Ality stereo 3D rigs and Red cameras for 2D. It took a lot of really smart people to put it together that was headed up by John Hansen.”ĥ. To get the control, it took pre-existing software and retooling it. As turn into cubes, they might have different colors on the different cubes. “It’s a slow, painstaking process to come up with the movement - and you can light it, do shadowing, color correct. “They swirl and sweep into the framework of aluminum and turn into a flowing wormlike characters that flow and turn into the robot characters. “We came up with a different style of transformation,” Farrar said. The Protos are “man-made” transformers they are not quite as mechanical as the other bots. Animating the Protos transformation was a “painstaking process” “Basically is a loyal steed who carries him to save the day, which were more or less modeled after John Ford-western style, John Wayne shots with the horse head in the frame and the rider in the background,” Farrar explained.Ĥ. There’s a “heroic” sequence in Age of Extinction during which Optimus Prime jumps on a dinobot to ride to the rescue. A key VFX sequence was inspired by John Ford VIDEOS The Most Anticipated Summer Blockbusters of 2014ģ. “The intention is to make them look mechanical, so for instance you see pistons and shock absorbers inside the arms and legs of the dinobots.” “Everything is about shot design and design of characters,” he added. “Its not just mimicking the movement that we did but having cooler movements. “We know the style of animation … but it’s a whole new ball game,” Farrar said of creating the dinobots - robots that transform into dinosaurs. Farrar has some dinosaur experience he worked on Jurassic Park And our shots comprised of about 90 minutes worth of the film - a huge portion.”Ģ. In certain scenes there are three, four or five robots talking. … The density of the shots in incredible. I think the look and sharpness of characters is better. On the work itself, Farrar said: “our ability to animate has improved. It was also Farrar’s largest crew, with more than 500 working on the film in the various facilities. It was the ”biggest show I have ever done” PHOTOS ‘Transformers: Age of Extinction’: Mark Wahlberg, Michael Bay Hit the Hong Kong Premiereġ.
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